More than 60 years ago, a new comedy boasted an all-black cast populating a Harlem community with characters that included an attorney, a small businessman and a civic-club president.
“Amos ‘n’ Andy” was an instant hit in June 1951, when it made the leap to television after decades on radio.
But not everyone loved it. It was blasted by the NAACP for perpetuating black stereotypes with what, at best, were broad characterizations — particularly Kingfish Stevens, its underhanded mastermind, whose mission in life was avoiding work while cooking up ways to fleece Andy, his dim-witted chum.
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No way, said Clark, who threatened to scrap the whole program instead. Chrysler backed down and the show aired intact, another obstacle surmounted on a road that’s still bumpy today.
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EDITOR’S NOTE — Frazier Moore is a national television columnist for The Associated Press. He can be reached at fmoore@ap.org and at http://www.twitter.com/tvfrazier. Past stories are available at http://bigstory.ap.org/content/frazier-moore